I recently had the opportunity to meet talented South African photographer Nadette Clare-Talbot Bettridge at Le Meridien Hotel in St. Julian’s, where she is holding her photographic exhibition. “Lacey & Lace” is a collection of works, exquisitely printed and framed in large format having a subject that revolves around the delicate structure and texture of lace and feminine beauty. In this exhibition, Nadette has actually tackled two separate genres of photography and managed to cleverly link and combine them together. Nadette is essentially a highly skilled fashion photographer with an impressive portfolio of works behind her. The work in Lacey & Lace is paired in ‘sets’ of two: a beauty female very fashionable portrait and a studied still life that complements the same portrait. Nadette’s photography background is in conventional film and the discipline that years of film photography has instilled in her is evident; her work is planned, studied and skilfully executed clearly demonstrating her schooling and wide experience in the photography medium.
Following is Nadette’s concept:
Lacey & Lace the idea behind it
The concept for this exhibition was born from my love of lace and my passion for beauty and stills photography. I wanted to do something that merged the two and so the idea came about to work on 18 pieces accentuating lace as the common theme throughout the images, incorporating a DPS (double-page spread) approach. From my years of shooting for magazines, I found that I instinctively visualized my imagery in a double page layout – so I wanted to echo that idea in my exhibition by creating images in a 2-part story.
I photographed 9 beauty portraits each exploring a different theme and flavour, and then expanded the concepts further by shooting a complementary still for each model. The images will be viewed in pairs, but can still exist as pieces in their own right.
From the onset, my aim was to create images that were extremely textured and layered. As lace is the common thread, I explored the concept by integrating lace in the styling aspects of the subject matter, and then layering the images digitally afterwards by incorporating scanned-in pieces of lace. It is my hope that the photographed lace and scanned lace are not obviously differentiated from one other, but viewed blended to create the layered effect.
The final pieces are printed on canvas at 80 x 120cm each, to fully appreciate the layered textures.
Each beauty portrait is titled by incorporating the girls name Lacey, and each complementary still using the word Lace.
Nadette Clare-Talbot Bettridge Email: firstname.lastname@example.org Mobile: 9935 6592
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