The Fine Art photography of Nadette Clare-Talbot Bettridge

I recently had the opportunity to meet talented South African photographer Nadette Clare-Talbot Bettridge at Le Meridien Hotel in St. Julian’s, where she is holding her photographic exhibition. “Lacey & Lace” is a collection of works, exquisitely printed and framed in large format having a subject that revolves around the delicate structure and texture of lace and feminine beauty. In this exhibition, Nadette has actually tackled two separate genres of photography and managed to cleverly link and combine them together. Nadette is essentially a highly skilled fashion photographer with an impressive portfolio of works behind her. The work in Lacey & Lace is paired in ‘sets’ of two: a beauty female very fashionable portrait and a studied still life that complements the same portrait. Nadette’s photography background is in conventional film and the discipline that years of film photography has instilled in her is evident; her work is planned, studied and skilfully executed clearly demonstrating her schooling and wide experience in the photography medium.

© Nadette Clare-Talbot Bettridge

© Nadette Clare-Talbot Bettridge

© Nadette Clare-Talbot Bettridge

© Nadette Clare-Talbot Bettridge

Following is Nadette’s concept:

Lacey & Lace the idea behind it
The concept for this exhibition was born from my love of lace and my passion for beauty and stills photography. I wanted to do something that merged the two and so the idea came about to work on 18 pieces accentuating lace as the common theme throughout the images, incorporating a DPS (double-page spread) approach. From my years of shooting for magazines, I found that I instinctively visualized my imagery in a double page layout – so I wanted to echo that idea in my exhibition by creating images in a 2-part story.
I photographed 9 beauty portraits each exploring a different theme and flavour, and then expanded the concepts further by shooting a complementary still for each model. The images will be viewed in pairs, but can still exist as pieces in their own right.
From the onset, my aim was to create images that were extremely textured and layered. As lace is the common thread, I explored the concept by integrating lace in the styling aspects of the subject matter, and then layering the images digitally afterwards by incorporating scanned-in pieces of lace. It is my hope that the photographed lace and scanned lace are not obviously differentiated from one other, but viewed blended to create the layered effect.
The final pieces are printed on canvas at 80 x 120cm each, to fully appreciate the layered textures.
Each beauty portrait is titled by incorporating the girls name Lacey, and each complementary still using the word Lace.

Nadette Clare-Talbot Bettridge Email: nadettephoto@melita.com Mobile: 9935 6592

© blog – KEVIN CASHA

© Nadette Clare-Talbot Bettridge

© Nadette Clare-Talbot Bettridge

© Nadette Clare-Talbot Bettridge

© Nadette Clare-Talbot Bettridge

The Gentle Sex and Photogaphy

This time round, I wanted to share with you some personal thoughts. Last year, both top Malta Institute of Professional Photography’s competitions, namely the Photographer of the Year and the International Online Competition, were won by the gentler sex. Furthermore, four of the Institute’s members gaining Qualifications, (from a total of six panels), were also women! Was this a coincidence? I do not really think so and in fact I have long been feeling the growth and opportunity that women photographers have gained partly through Digital photography.

Fifteen years back, I distinctly remember the extremely low number of females who would apply to learn photography during my courses – they would invariably be outnumbered ten to one by the males! Yet, now the boot seems to have shifted to the other foot. Take the clear example of my MCAST Higher National Diploma Photography first year Class which consists of seven girls and one boy! Even the MIPP membership seems to be steadily increasing its female membership. So what are the reasons of this evident increase in women photography practitioners in what was, previously, rather a male dominated profession?


I feel that the main factor behind this is the facility that digital technology has undoubtedly given us. The barriers have surely been lowered. Through my previous experience, most females have seemingly shied away from technical aspects so, for most of them, it was rather daunting to get to grips with complicated equipment, f-stops and tricky photographic techniques. It is not because they are not capable of surmounting these obstacles but I feel that their temperament prefers concentrating on other things. Have you ever really met a girl who is a ‘techie’ or fixated with photographic equipment and technology? One in a million, whilst on the other hand, many males are actually into photography because they are gadget freaks and love technique.

Although I do not think that this is scientifically proven, this does seem to be a distinct trend between the two sexes. Thus, and again this is only my view coming from years of practical experience, when digital (and the camera monitor) nudged out conventional photography, females now do not really need any more to concentrate so much on technique but have plunged fully into the art of photography and creativity. Again, one can now feel another distinct trend – female photographers seem to be steaming ahead into the forefront when it comes to conceptual photography and many times, seem to be leaving males lagging behind.
I do feel that both sexes can learn from each other. How fantastic would it be that photographers who are obsessed with technique would start adding context and message in their photographs and how ideal would it be if those employing context and message could supplement their work with the right technique and quality? I feel that this is another benefit, albeit not very recognized, that Digital photography has granted us. It has got everyone in ‘on the act’ and this undoubtedly gives photographic art a much wider breadth and dimension.


So males beware – we all need to further improve our game if we are to provide an adequate challenge to the fairer sex!

© Kevin Casha